Dune

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Set in the distant future amidst a feudal interstellar society in which noble houses, in control of individual planets, owe allegiance to the Padishah Emperor, Dune tells the story of young Paul Atreides, whose aristocratic family accepts the stewardship of the desert planet Arrakis. As this planet is the only source of the oracular spice melange, the most important and valuable substance in the universe, control of Arrakis is a coveted—and dangerous—undertaking. The story explores the multi-layered interactions of politics, religion, ecology, technology, and human emotion, as the factions of the empire confront each other in a struggle for the control of Arrakis and its spice.^[7]

1965 Chilton Books hardcover first edition book cover of Dune by Frank Herbert, with art by John Schoenherr.

I was looking for a book to read.  There wasn't an excellent opportunity to go to the library, and I couldn't think of a public domain book that I wanted to view, so I checked out the library's app.  I was surprised at the number of ebooks that were available.  The first one to pop up was Dune.  Dune is a sci-fi literary classic, but I had never read it.  

Dune is a beautiful novel.  Herbert must have had a significant influence on George Lucas.  Aspects of Paul translate directly over to Luke.  And Arrakis and Tatooine could be the same planet.  The 'worms' of Arrakis are repeated in the 90's movie Termors. (Does this give Frank Herbert a Bacon number?)

Dune is now one of my favorite novels.  Not just sci-fi, but beloved of all fiction novels.  Herbert developed all the characters thoroughly with a dept that would only be revealed later.  His choice of language and foreshadowing rivals literature's greats.  The book is long, but with good reason.  There is no word filler.  Herbert's words are well chosen, and nothing can be skipped.

Dune is not in the public domain, but most libraries have a copy in the stacks; some like mine may have a digital copy to check out.

Tale of The Fall of Gondolin

In the Tale of The Fall of Gondolin are two of the most significant powers in the world. There is Morgoth of the uttermost evil, unseen in this story but ruling over a vast military force from his fortress of Angband. Deeply opposed to Morgoth is Ulmo, second in might only to Manwë, chief of the Valar: he is called the Lord of Waters, of all seas, lakes, and rivers under the sky. But he works in secret in Middle-earth to support the Noldor, the kindred of the Elves among whom were numbered Húrin and Túrin Turambar.

Central to this enmity of the gods is the city of Gondolin, beautiful but undiscoverable. It was built and peopled by Noldorin Elves who, when they dwelt in Valinor, the land of the gods, rebelled against their rule and fled to Middle-earth. Turgon King of Gondolin is hated and feared above all his enemies by Morgoth, who seeks in vain to discover the marvelously hidden city, while the gods in Valinor in a heated debate mainly refuse to intervene in support of Ulmo’s desires and designs.

Into this world comes Tuor, cousin of Túrin, the instrument of Ulmo’s designs. Guided unseen by him Tuor sets out from the land of his birth on the fearful journey to Gondolin, and in one of the most arresting moments in the history of Middle-earth, the sea-god himself appears to him, rising out of the ocean in the midst of a storm. In Gondolin he becomes excellent; he is wedded to Idril, Turgon’s daughter and their son is Eärendel, whose birth and profound importance in days to come is foreseen by Ulmo.

At last, comes the terrible ending. Morgoth learns through an act of supreme treachery all that he needs to mount a devastating attack on the city, with Balrogs and dragons and numberless Orcs. After a minutely observed account of the fall of Gondolin, the tale ends with the escape of Túrin and Idril, with the child Eärendel, looking back from a cleft in the mountains as they flee southward, at the blazing wreckage of their city. They were journeying into a new story, the Tale of Eärendel, which Tolkien never wrote, but which is sketched out in this book from other sources.

Following his presentation of Beren and Lúthien Christopher Tolkien has used the same ‘history in sequence’ mode in the writing of this edition of The Fall of Gondolin. In the words of J.R.R. Tolkien, it was ‘the first real story of this imaginary world’ and, together with Beren and Lúthien and The Children of Húrin, he regarded it as one of the three ‘Great Tales’ of the Elder Days.

Christopher Tolkien, J. R. R. Tolkien's son, has done great detailed work in evaluating and ordering his father's notes regarding Middle-Earth and the mythology he had created central to it.  This was not easy work.  He has spent years of effort reading all of his father's numerous notes written over multiple years.  Christopher has ordered and deconflicted these many tales.  I cannot imagine the magnitude of this work.

To be thorough in his publishing of his father's thoughts, Christopher recorded in this book the different version of the tale, and he notes his selection of essential aspects of the story that he chose in his telling of the tale.  Christopher's writing of The Fall of Gondolin is engaging and beautiful in keeping with his father's writing style.

I am not taken by the details of Middle-earth mythology.  I skipped over large sections of this book that provided retellings of the story from his father's copious notes.  Christopher had already noted these in his telling.  The myth of Gondolin's fall as told by Christopher was enjoyable and complete.  I believe the son performed due diligence in providing all the notes.

The October Country

Welcome to a land Ray Bradbury calls "the Undiscovered Country" of his imagination--that vast territory of ideas, concepts, notions, and conceits where the stories you now hold were born. America's premier living author of short fiction, Bradbury has spent many lifetimes in this remarkable place--strolling through empty, shadow-washed fields at midnight; exploring long-forgotten rooms gathering dust behind doors bolted years ago to keep strangers locked out.. and secrets locked in. The nights are longer in this country. The cold hours of darkness move like autumn mists deeper and deeper toward winter. But the moonlight reveals great magic here--and a breathtaking vista. The October Country is many places: a picturesque Mexican village where death is a tourist attraction; a city beneath the city where drowned lovers are silently reunited; a carnival midway where a tiny man's most cherished fantasy can be fulfilled night after night. The October Country's inhabitants live, dream, work, die--and sometimes live again--discovering, often too late, the high price of citizenship. Here a glass jar can hold memories and nightmares; a woman's newborn child can plot murder, and a man's skeleton can war against him. Here there is no escaping the dark stranger who lives upstairs...or the reaper who wields the world. Each of these stories is a wonder, imagined by acclaimed tale-teller writing from a place shadows. But there is astonishing beauty in these shadows, born from a prose that enchants and enthralls. Ray Bradbury's The October Country is a land of metaphors that can chill like a long-after-midnight wind...as they lift the reader high above a sleeping Earth on the strange wings of Uncle Einar.

Having checked out the book Dear Fahrenheit 451, I had fond memories of reading the book Fahrenheit 451 by Ray Bradbury.  On the same library display shelf was this book of short stories by Ray Bradbury.  The short stories cover several decades of his writing.  The topics remain similar, but Bradbury's writing still obviously changed over that time.  To the better in my opinion.

Since it has been almost 100 years since he wrote some of these stories, they seem practically humorous to me where they were intended to be suspenseful.  My how times have changed.  Some of the stories were insightful and thought-provoking.  I will allow the reader to determine which ones.

Comparing these short stories to his masterpiece Fahrenheit 451 or to The Martian Chronicles would be unfair.  This is a modest collection of short stories but do not expect the Bradbury of F451.  Expect the Bradbury as a writer of Alfred Hitchcock Presents and The Twilight Zone.

Dear Fahrenheit 451

If you love to read, and presumably you do since you’ve picked up this book (!), you know that some books affect you so profoundly they forever change the way you think about the world. Some books, on the other hand, disappoint you so much you want to throw them against the wall. Either way, it’s clear that a book can be your new soul mate or the bad relationship you need to end.

In Dear Fahrenheit 451, librarian Annie Spence has crafted love letters and breakup notes to the iconic and eclectic books she has encountered over the years. From breaking up with The Giving Tree (a dysfunctional relationship book if ever there was one), to her love letter to The Time Traveler’s Wife (a novel less about time travel and more about the life of a marriage, with all of its ups and downs), Spence will make you think of old favorites in a new way. Filled with suggested reading lists, Spence’s take on classic and contemporary books is very much like the best of literature—sometimes laugh-out-loud funny, sometimes surprisingly poignant, and filled with universal truths.

A celebration of reading, Dear Fahrenheit 451 is for anyone who loves nothing more than curling up with a good book…and another, and another, and another!

I was at my local library for the first time since they had moved into a new building.  By the time I visited though, the building was no longer new.  I think the library had been in the building for about a year. (Don't judge me.)  My wife and daughter were going to be at an appointment for nearly an hour, and I had no desire to stay in a waiting room.  Library for an hour wins by a mile.

The library's front display had this book.  I rank Fahrenheit 451 as one of the greatest works of fiction of all time.  It should be required reading at all schools.  Fahrenheit 451 had such an impact on me that it continues to influence my thoughts on entertainment and censorship today over 35 years later.  When I read this book's title, I picked it up to check out with no concept about its subject.

Ms. Spence had me read her first book in short order.  I laughed at many of her letters and her relationships with books.  I understood entirely and enjoyed her personal reflections on these relationships.  Her relationship with JRR Tolkien's The Hobbit troubled me.  I wanted to argue with her and explain how she was wrong.  How could a man who gets TWO letters for his middle name not write great fiction?

I do have to admit to having developed somewhat of a crush on Ms. Spence in reading this book.  She likes books.  She's funny. She's cute.  Then I realized I didn't have a crush on Ms. Spence; I was projecting my feelings for my wife onto someone like her.  Sorry, Ms. Spence.  I have a beautiful wife.  I'm a dog person.  I like The Hobbit.  I don't think it would have worked out anyway. :)

Ragnarok Unwound

Prophecies don't untangle themselves.

Just ask Ikepela Ives, whose estranged mother left her with the power to unravel the binding threads of fate. Stuck with immortal power in a mortal body, Ives has turned her back on duty she never wanted.

But it turns out she can’t run from her fate forever, not now that Ragnarok has been set in motion and the god at the center of that tangled mess has gone missing. With a ragtag group of companions—including a brownie, a Valkyrie, and the goddess of death herself—Ives embarks on her first official mission as Fate Cipher—to save the world from doomsday.

Nothing she can't handle. Right?

This work is an exciting and surprising amalgamation of Norse and some Hawaiian mythology.  Jacques uses a simple main character that anyone can relate to as the center of real apocalypse avoiding story.  She does not utilize the tired understanding of Norse mythology to advance her story but instead introduces a story around and through the typical story.

Jacques leaves us with a story that can easily continue and expand to other mythologies and people.  I look forward to what I hope is a series of mixed mythology fiction.

The Psychology of Time Travel

In 1967, four female scientists worked together to build the world’s first time machine. But just as they are about to debut their creation, one of them suffers a breakdown, putting the whole project—and future of time travel—in jeopardy. To protect their invention, one member is exiled from the team—erasing her contributions from history.

Fifty years later, time travel is a big business. Twenty-something Ruby Rebello knows her beloved grandmother, Granny Bee, was one of the pioneers, though no one will tell her more. But when Bee receives a mysterious message from the future reporting the murder of an unidentified woman, Ruby becomes obsessed: could it be Bee? Who would want her dead? And most importantly of all: can her killing be stopped?

Traversing the decades and told from alternating perspectives, The Psychology of Time Travel introduces a fabulous new voice in fiction and a new must-read for fans of speculative fiction and women’s fiction alike.

The title of this book intrigued me.  The author, Kate Mascarenhas, is a first-time novelist.  I actually entered the book with meager expectations.  Most authors error in attempting to do time travel fiction; even those with numerous works behind them.  This work appeared to take a completely different approach to the oft-attempted plot device of time travel; Ms. Mascarenhas did and didn't disappoint.

When reading time travel fiction, I'm expecting the author to fall into the trap of paradoxes and plot holes.  Mascarenhas avoided creating any glaring ones that I caught and "black boxed" the ones that inevitably are created when doing science fiction.  I enjoyed her nonlinear time in writing and the beautiful symbolism to the plot.  I found myself in a time fog jumping from time to time attempting to follow the characters.  This is not bad writing IMHO, but the excellent and unexpected use of the craft of writing.  The effect that time travel could have on the psyche is an epistemological unknown.  Attempting to have a reader experience the result was creative and genius.

Well done Ms. Mascarenhas.  I look forward to your follow on novels.

The Razor

Description
J. Barton Mitchell's The Razor is a riveting science fiction thriller about a man struggling to survive the chaos on a prison planet.

Brilliant engineer Marcus Flynn has been sentenced to 11-H37 alongside the galaxy’s most dangerous criminals. A hard labor prison planet better known as the Razor, where life expectancy is short and all roads are dead ends.

At least until the Lost Prophet goes active…

In a few hours, prison guards and staff are evacuated, the prisoners are left to die, and dark mysteries begin to surface.

Only Flynn has the skills and knowledge to unravel them, but he will have to rely on the most unlikely of allies--killers, assassins, pirates and smugglers. If they can survive each other they just might survive the Razor…and claim it for their own.

It has been some time since I've read or reviewed any sci-fi/fantasy books.  This was a welcoming reintroduction to the genre.  Mitchell did a great job with the world he created and remained consistent with it.  As a scientist, his setting impressed me and I kept waiting for him to err. So many authors do.

J. Baron Mitchell is new to me.  I looked on Amazon and saw that he is a prolific writer.  The Razor is not his first rodeo and it shows in his plot and character development.  Some aspects were predictable but much of it was surprising.

I don't want to say too much in the review to reveal anything that would be a spoiler.  What I will say is I can highly recommend this book.  Buy it as soon as it is available.